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Music Then And Now By Thomas Forrest Kelly – Test Bank

James: Nursing Care of Children: Principles and Practice, 3rd Edition

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CHAPTER 4: Claudio Monteverdi’s Orfeo

MULTIPLE CHOICE

1. Monteverdi is widely considered the earliest master of what dramatic musical genre?

a.

opera

d.

polyphonic mass

b.

motet

e.

plainchant

c.

organum

ANS: A DIF: Easy REF: pp. 91–92 TOP: Introduction

MSC: Applied

2.In the seventeenth century, the region surrounding Mantua was controlled by this family:

a.

Monteverdi

d.

Este

b.

Medici

e.

Ferrara

c.

Gonzaga

ANS: C DIF: Medium REF: p. 92 TOP: The Setting: Mantua in 1607

MSC: Factual

3.Which of the following is NOT a way that seventeenth-century Italian nobles would publicly demonstrate their wealth?

a.

building grand palaces

d.

sponsoring democratic debates

b.

patronizing great artists

e.

traveling widely throughout the region

c.

hosting lavish events

ANS: D DIF: Medium REF: p. 92 TOP: The Setting: Mantua in 1607

MSC: Applied

4.By 1607, Monteverdi had gained broad renown through which of the following activities?

a.

performing as a traveling minstrel

d.

teaching music to wealthy patrons

b.

conducting a well-known ensemble

e.

improvising epic poems

c.

publishing several books of music

ANS: C DIF: Hard REF: p. 94 TOP: The Setting: Mantua in 1607

MSC: Applied

5.To overturn the corrupting of modern art, a group of sixteenth-century Florentine thinkers and artists advocated a return to ideals associated with:

a.

Renaissance motets

d.

pre-Reformation Catholicism

b.

Greek tragedy

e.

Gregorian chant

c.

medieval polyphony

ANS:BDIF:HardREF:p. 94

TOP: The Setting: The Birth of Opera MSC: Applied

6.Which of the following is NOT a way that Renaissance music was used in dramatic settings?

a.

as opera

b.

as songs within dramatic plays

c.

as accompaniment to dance performances

d.

as interludes between the acts of a play

e.

as part of elaborate stage spectacles

ANS:ADIF:HardREF:p. 94

TOP: The Setting: The Birth of Opera MSC: Applied

7.By focusing on accompanied solo singing, the founders of opera believed that:

a.

the music would confuse listeners

b.

the audience would have difficulty understanding the plot

c.

the music would be less powerful than large choral works

d.

the musical nuances would dramatize the emotional nuances of the text

e.

the music would distort the meaning of the words

ANS:DDIF:MediumREF:p. 94

TOP: The Setting: The Birth of Opera MSC: Conceptual

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